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10th December
written by Adam

Nina (Natalie Portman) is an aspiring professional ballet dancer, driven to hunger for success by her mother (Barbra Hershey). When the ballet director (Vincent Cassel) decides to produce the often sleepy Swan Lake, but with a twist, Nina aims for the lead part. The twist being that the same dancer will take on the role of the innocent white swan and the role of the darker and more passionate black swan. Able to easily tap into the concepts of the white swan, Nina seems perfect to embrace the role; however, her goals for perfection and ultimately innocence make her less of a desirable candidate for the black swan. With the help of fellow dancer Lily (Mila Kunis), Nina learns in order to embrace the role of the black swan she’ll have to let herself go and dig into her darker untapped persona. But, to what end will she have to reach, and what will be the price of perfection for both roles? One to watch out for indeed, it’s almost as if the film serves as an amalgamation of Director Darren Aronofsky’s previous works, with a dash of Kafka and perhaps Fight Club, and I loved it. The psychological thriller aspect of the film works as the perfect foil to show the seedy underbelly of the professional dancing world, illustrating the strains on family, psyche, and health, all for the sake of art. Meanwhile, acting from the ensemble flows and feels real, the cinematography has the distinctive Aronofsky hand-held feel to it at times which is a plus and a minus. But the overall takeaway is still great. A dark ride, but worth it. Black Swan is rated R.

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