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After losing her job and discovering her husband has been cheating on her, Tammy (Melissa McCarthy) heads out to asses her life and figure things out. But, joining her the road is her alcoholic and ill tempered grandmother, Pearl (Susan Sarandon). With the intended destination of Niagara Falls the two venture out on a substance abuse laden journey flirting with love and lust along the way. Confronted by family friend Lenore (Kathy Bates), Tammy begins to face the music and err of her own ways, she might straighten up and fly right yet, or is it already too late? A far cry from the road tripping and empowering Thelma and Louise, Director Ben Falcone has the building blocks to a competent film; unfortunately, that’s about where the praise ends. Repeated attempts at humor come across as flat, contrived, and disingenuous; and, while we want to like and be sympathetic towards Tammy (She is supposed to be our hero here), try as we might, she’s just not likeable. Those anticipating wit and yuks from one of Hollywood’s up and coming comedic talents will have to look elsewhere. Void of charm, and lacking a compelling storyline, star power alone just isn’t enough to carry Tammy through the finish line. Keep trying, polish refine and polish again. Tammy is rated R.

Cade Yeager (Mark Wahlberg) is an inventor, tinkerer, robotics specialist, and a father to Tessa Yeager (Nicola Peltz). With Tessa about to head off to college, Cade finds himself struggling to make ends meet. To pay for school and save the farm he needs one great invention to cash in on; levraging his debt and picking antiques Cade stumbles upon a Transformer that’s been in hiding since the last time Transformers were seen on earth by the public, some years ago in Chicago. It would seem that the U.S. government has been deploying CIA Black Ops teams to rid the earth of Transformers. But where are the remaining parts taken and for what purpose, Inventor Joshua Joyce (Stanley Tucci) has answers. But it’s all dirty politics, who’s paying who, who’s pulling the real strings, what does this mean for earth’s future, and who is this mysterious transformer known as Lockdown? Cade, Tessa, and boyfriend Shane (Jack Reynor) will have to save the day. Autobots Roll Out! Written by Ehren Kruger and Directed by Michael Bay, the film serves as a technical marvel, well executed effects, IMAX cinematography, big explosions, and then even bigger effects, so there’s that. However, as Bay returns to the well for creativity and inspiration it’s clear the well is bone dry, probably has been for several years. For all of its flashy flashy, the audience doesn’t see anything new or groundbreaking, instead the audience gets quite possibly one of the worst hack and whack screenplays for 2014, try and track what’s going on for the first hour without asking “What is going on here?” Then, as if the lack of cohesive storyline wasn’t enough, how about the schizoid character development? While our leads are doing their best to make sausage from roadkill, the utter stupidity of the writing sinks lower with mindless exposition to explain everything at every turn and every development, and, the Transformers themselves still come across for the most part as bad caricatures of washed up stereotypes. Twisting the knife further Bay leaves us with a runtime of 165 minutes, as the adage goes, a film that’s getting longer without getting better is getting worse– this film is no exception. I cannot in good conscience support this endeavor, pick a different film to watch this weekend, any film, any film but this one. Transformers: Age of Extinction is rated PG-13.

Record label owner/A&R rep, Dan (Mark Ruffalo), was once a mighty player in the music industry developing hot prospects into pure gold making good music. Trouble is, Dan’s luck has been down for years and he can’t seem to find a hit with any new artists; insult to injury, Dan’s wife and daughter (Catherine Keener, Hailee Steinfeld) consider him a washed up loser. But, when a chance encounter between Dan and an unconventional broken hearted songwriter named Greta (Keira Knightley) occurs, it appears the luck pendulum might be swinging its return. Strings will need to be pulled, and creative vision deployed, Greta and Dan’s partnership could be just the thing to save the day, but what of ex-boyfriend Dave (Adam Levine) and just how deep are each other’s wounds? Mildly unconventional, Writer/Director John Carney shows restraint in giving the audience the “Hollywood ending,” instead opting for perhaps a more realistic and empowered result, refreshing. From a chemistry standpoint, honest and heartfelt performances from all involved makes this sleeper hit a heart warming and endearing tale with purposeful restraint and a heck of a soundtrack. Great for a date, morning, Noon, or Night, Begin Again is rated R.